WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long
WORKERS  Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long

WORKERS

WORKERS Deluxe Pocket Tote Bag/ Dark Navy x Navy Handle/Long

Dhs. 427.00 (税抜)

Quantity

CASDAY(東京/浅草・蔵前)のお取り扱い

Description

デラックストート、3回目。 今回の変更点は持ち手の取り付け幅と外ポケット。 オリジナルのデラックストートはMサイズ、Lサイズとあり、持ち手の取り付けがMサイズは狭い(外ポケ無し)、Lサイズは広い(外ポケあり)と違いがあります。 今回、アレンジで、ボディはMサイズ、持ち手の取り付け位置と外ポケはオリジナルのLサイズの仕様。仕様を混ぜたということです。 それに伴い、ハンドルもショートとロング、二種類作りました。もともとの取り付け幅が狭い状態だと、いくらハンドルを長くしても肩が入りにくい。 ハンドル取り付け幅が広がったことで、ロングも非常に使いやすいサイズ感になっています。 前回からの地味ですが変更点が一つ。 持ち手のテープがアクリルから綿スフ(綿レーヨン)の力織機テープ、今まで以上に分厚いものに変わりました。 おなじみ「探しに探す」で、産元さんを見つけました(なんと近所) 今まで、付属屋さんでわからなかった部分がスッキリわかりました。 一口に「テープ」といっても、設備の違い、糸の違いでかなり風合いが変わる。 付属屋さんだと「同じ」範囲内でも、実は織機が違う。 今回のテープ、過去一ごついです。 「綿・スフ」のスフは「ステープルファイバー」の略で、「スパン・レーヨン」とか、「短繊維のレーヨン」だそうです。 サイズは幅34/奥行16/高さ31。いわゆるMサイズ。持ち手はショートが30センチ、ロングが60センチ程。 ハンドルはテープの上に、底と同じ生地を縫い付けています。 ここも2本針のミシンで、生地の左右を折りながら、かつテープの真ん中に乗るように。 設備命!という事で、今回も北関東の工場さんまで行ってきました。 もちろん、日本製です。 三回行ったので、やっと社長は私の「顔」は覚えてくれました。 多分、ブランド名はおぼろ気でしょう。でも、生産管理のMさんはWORKERSのバッグ、買ってくれるぐらい気に入ってくれたので大丈夫です。 この「工場さんに覚えてもらえる」が意外と大事。どうしても、仕様書で書ききれない、糸の目調子や、始末のきれいさ、ラフさ。 そういうのは、「こういう作りがあの人は好きだろうな」と判断してもらえないと、「これよ!!!」という上がりにはならないのです。 脇の部分、互い違いになるように生地端を折って縫う。これが、バッグ本体の骨になり、中に何も入っていない状態でも自立します。 本体は4号帆布。オンス換算、20.8オンス。 底と、テープに乗る部分は11号帆布。オンス換算、12オンス。 重さは650gほど。 今回のトートバッグ、本家と全く同じにしたいのではなく、「日本の規格で、本家に迫る、場合によっては越えた部分もあるものを作りたい」のです。 ステッチのきれいさは完全に本家を越えていると思います。さすが、日本の縫製工場。 生地の目も綺麗。テープはしなやかで持ちやすい。 ただ、本家は本家で、生地や部品の粗っぽさ、タフさ。縫製なんか「壊れなければ良い」というラフさ。それはそれで、味わいです。 国が違えば、仕上がりも違う。その違いをぜひご覧ください。


ヴィンテージウェアに対しての圧倒的な探究心から生まれる本物のレプリカウェア
WORKERSは岡山を拠点にワーク、トラッド、ミリタリーを中心としたメンズウェアメーカー。
古着独特の雰囲気を好む代表の舘野高史氏は実際の古着を研究し、 その製品が作られていたメーカーや現存する建物にまで足を運び歴史や資料を 調べ上げて製品づくりのヒントにしています。
すべての製品がメイドインジャパンであり、自分で工程を理解し、 各工程ごとの専用の設備を要した工場でのみ生産を行っています。
日本からだけではなく、あのJ.CREWやINVENTORYなど 世界的に注目されている企業からも熱い注目を集めている。
This is the third version of the Deluxe Tote. The changes this time are the width of the handle attachment and the outer pocket. The original Deluxe Tote comes in M ​​and L sizes, and the difference is that the M size has a narrower handle attachment (no outer pocket), while the L size has a wider handle attachment (with an outer pocket). This time, as an adaptation, the body is the M size, but the handle attachment position and outer pocket are the specifications of the original L size. In other words, the specifications have been mixed. Accordingly, we have also made two types of handles, short and long. With the original attachment width being narrow, it was difficult to put the bag on your shoulder no matter how long you made the handles. By widening the handle attachment width, the long handles are now a very easy-to-use size. There is one subtle change from the last version. The handle tape has been changed from acrylic to cotton rayon power loom tape, which is thicker than before. As usual, I "searched and searched" and found the manufacturer (surprisingly, it's nearby). I now have a clear understanding of things that I couldn't understand from the accessory supplier before. Even though it's all called "tape," the texture changes considerably depending on the equipment and the type of yarn. Even within the "same" range, the looms are actually different. This tape is the thickest I've ever used. The "spun rayon" in "cotton-spun rayon" is short for "staple fiber," and it's apparently also called "spun rayon" or "short-fiber rayon." The size is 34cm wide, 16cm deep, and 31cm high. It's what you'd call a medium size. The handles are about 30cm for the short version and about 60cm for the long version. The handles are sewn onto the tape using the same fabric as the bottom. This is also done with a two-needle sewing machine, folding the left and right sides of the fabric while making sure it sits in the middle of the tape. Equipment is everything! So, this time too, I went all the way to the factory in northern Kanto. Of course, it's made in Japan. I've been there three times, so the president finally remembers my "face." He probably only vaguely remembers the brand name. But Ms. M from production management liked it so much that she bought a WORKERS bag, so it's all good. This "being remembered by the factory" is surprisingly important. There are things that just can't be written down in the specifications, like the tension of the thread, the neatness or roughness of the finishing. It's not enough to create something that makes you think, "This is the kind of construction that person would like." The edges of the fabric are folded and sewn alternately on the sides. This forms the frame of the bag, allowing it to stand on its own even when empty. The main body is made of No. 4 canvas, equivalent to 20.8 ounces. The bottom and the part that rests on the tape are made of No. 11 canvas, equivalent to 12 ounces. The weight is about 650g. With this tote bag, I didn't want to make it exactly the same as the original, but rather "to make something that comes close to the original, and in some ways even surpasses it, using Japanese standards." I think the neatness of the stitching completely surpasses the original. As expected from a Japanese sewing factory. The weave of the fabric is also beautiful. The tape is supple and easy to hold. However, the original has its own roughness and toughness in the fabric and parts. The stitching is rough, with the attitude of "it's fine as long as it doesn't break." That has its own charm. Different countries have different finishes. Please take a look at the difference.


Authentic replica clothing born from an overwhelming passion for vintage wear.
WORKERS is a menswear manufacturer based in Okayama, focusing on workwear, traditional, and military styles.
Takashi Tateno, the representative who loves the unique atmosphere of vintage clothing, studies actual vintage clothing, visits the manufacturers where the products were made and even the existing buildings, and investigates the history and materials to use as inspiration for his product creation.
All of our products are made in Japan, and we only produce them in factories where we understand the process ourselves and have specialized equipment for each stage of production.
It's attracting a lot of attention not only from Japan, but also from globally recognized companies like J.CREW and INVENTORY.
品番
-
素材
Cotton
原産国
JAPAN

Store

CASDAY(東京/浅草・蔵前)

営業時間:12:00 - 19:00

定休日:月・火・水

TEL:03-5830-6289